A Field Guide to Ponchos

Ponchos are everywhere right now. Here in Oregon it’s still warm enough to be poncho weather. I’m sure we will move on to bitterly damp soon enough, but in the meantime I’ve been daydreaming about knitting up a good poncho. Rachel has even said to me, “Sal, there is no good reason for you not to have a poncho.”

So I’ve been looking in my back issues of Vogue Knitting, and on Ravelry, and it’s true, there are a million poncho patterns out there. OR ARE THERE?

When I was a very small child in the 70’s, my mom and I had matching ponchos, that were handwoven! for us by a family friend of my grandmother’s. They were bluish, with mauve-y pink plaid, and I believe mohair because of the general hairy-ness of them. Then my cat got sick on my poncho, and that was the end of that. Cats are the worst.

So your basic vintage poncho is a bias-draped afghan with a hole cut in the center:

Afghan ponchos

Now let’s look at the modern take on this.

VK Winter 2011/12

VK Holiday 2010

VK Holiday 2011

VK Winter 2011/12

Hey modern poncho, I get you. You’re a blanket that’s been folded in half with a neck hole added in. BIAS DRAPING IS SO LAST CENTURY !

But there are also some articles of clothing that are masquerading as ponchos:

VK Spring/Summer 2011

Nope. This is a caftan. Note the deep v-neck: this is not a repurposed blanket.

VK Winter2011/12

Tres chic! But not a poncho. The button-up front indicates that this is a cape.

Pickles pattern

Rachel sent me this pattern. I love the geometric detail, but this is the worst offender as far as non-ponchos go: those sleeves someone added in mean this is clearly, NOT A PONCHO. This is unfortunately a very weird dolman sleeved…sweater. I have issues with sleeve fit in knitted garments. Ponchos bypass this by having no sleeves.

I hope this helps.

Log cabin lessons: exploring the rigid heddle loom

 Rachel Wolcott

 Blog

Finished log cabin scarf

Impulse buying rigid heddle looms is just one of the things that happens at Sheep Cabana.

Last summer,I was out in Cambria, Calif., and stopped in at Ball & Skein. The store is chockablock with gorgeous fiber that I could barely resist, but I did. Instead I walked out with a 15″ Schacht Cricket rigid heddle loom, which I brought back with me to the UK.

I have used the loom a few times and have been muddling along with it–not making any serious improvement to my weaving skills. Then I came across a new book Woven Scarves by Jane Patrick and Stephanie Flynn Sokolov and published by Interweave. Full of beautiful projects and easy-to-follow instructions I felt more confident to try this log cabin scarf.

The plan was to spin some of my newly acquired and stashed heritage- and rare-breed fleece to create this beautiful log cabin weave. The log cabin pattern, I thought, would be great to show off the rare and heritage-breeds’ natural colours. One of the great features of Woven Scarves is there is a scale (actual size) photo of the commercial yarn used in the sample scarves alongside the instructions.

Shetland and North Ronaldsay handspun

When I went to spin 200 yards each of Shetland Moorit (chocolate brown) and North Ronaldsay (white, specks of grey), I kept the book to hand and referred back to the pictures every so often to check the yarn thickness. I did blend some darker Shetland roving with the Moorit that had flecks of dyed silk in it. It gives a subtle effect in the finished object–just little bits of color.

The instructions for this project recommended using the indirect warping method. This requires a warping board, which I made out of some pvc piping. Honestly, I should have just bought a warping board. No matter.

warping

Warping the loom was probably the trickiest part of this project for me. There was some considerable faffing with the warping board as I figured out how to use it.

Once I got the loom warped it was smooth sailing. Log cabin weave is a simple block plain weave. The pattern comes from the way the loom is warped (for example, light, dark, light, dark, then dark, light, dark, light, etc) and then woven alternating dark, then light, until switching to light then dark. There’s no call for pick up sticks or any of the other techniques you can use on a rigid heddle weaving.

weaving

However, it’s important to remember that before you go zooming off to weave yards and yards of fabric–you must hemstitch the beginning of the fabric and repeat the process at the end. It makes life a lot easier.

Next up in weaving: Attempting to sew a garment (or bag) out of handwoven fabric.

Un-ironic Holiday Sweater, Part 3

 Sally Williams

 Blog, Uncategorized

“Buck” from Classic Elite Yarns

This is going to be my second holiday sweater. Two features have really drawn me to this sweater: one, the colorblocking, which will visually make the sweater look smaller even though it’s oversized, and two, the prancing deer motif, which gives the sweater a lot more movement than the traditional standing deer fair-isle motif. It’s active and sporty in appearance, while also being big and cuddly. That’s a lot to pack into one garment!

I have some taupe commercially made yarn from Araucania for the lighter part of the body, and I wanted to create some forest colored hand-spun for the darker parts. There is a lot of forest here in Oregon, and I wanted to really do justice to the depth of color and variety in conifers that we have around here.

Blue Spruce

This is a blue spruce that’s growing in front of our house. The new growth is a beautiful sage-y blue green, and the older growth is more of a yellow green. The Douglas firs around our house are more of a cyan, and there is a dramatic difference in shade between where the sun strikes the needles and the ones in shadow. I ended up blending five distinct color ways, and then blending those color ways further to create this yarn. I ended up deciding on a fat two-ply to match the weight of my commercial yarn, rather than a three-ply, because I wanted to leave enough variation in color once it was knit up.

Handspun two-ply

Here is my swatch. The commercial yarn has some striation to it, which goes really well with my handspun, and also has some pink undertones to it, which compliments the greens nicely.

Swatchy goodness

It’s being knit on #9 US needles, so it’s coming along quickly. I’m debating on whether or not to add some knit-in pockets. I think what I love most about this project is that it’s a representation of the trees in my neighborhood, in the summer, when it was pretty hot out, and I’ll be able to keep a little bit of that summertime feel with me once winter comes. It’s a little put-up job, like a jar of pickles or some jam.

View of summer from our screened-in porch

The Wool Week that was

 Rachel Wolcott

 Blog

Paycockes, Coggeshall

You know you’ve gone a bit potty for fiber when you find yourself in a 16th century merchant’s house in Coggeshall, Essex knitting and talking about wool all day.

That’s how I spent last Friday at Paycockes‘, with fellow members of The Mid-Essex Guild of Weavers, Spinners & Dyers’ doing our bit for Wool Week.

Paycockes is a National Trust property nearby me. It’s a classic Tudor-styled building with a gentle garden in the back sloping down toward the River Blackwater. The Guild has demonstrated there before, because Paycockes has come to represent the wealth created by the East Anglian cloth trade. Naturally wool was at the center of that trade. There are many other towns and villages in Essex, Suffolk and Norfolk associated with the wool trade–notably Lavenham, Colchester and Braintree.

These days the accepted wisdom is that wool, and therefore wool fabric, woollen garments, knitting yarn made of wool etc, is in a decline. Hence the Campaign for Wool’s Wool Week events. Basically, it’s a world-wide effort to promote wool as a natural and renewable fiber suitable for a wide range of uses from garments to home insulation. Sounds like a no-brainer, right?

The Mid-Essex Guild’s spin and knit-in was but a small part of the Wool Week activities, but it did give me the chance to chat to and answer questions from Paycockes’ visitors. I’m going to share some of the comments made and see what you think.

“You just don’t see wool anymore.” That was a comment from one woman who came in and spoke to us about knitting for quite awhile. She wondered aloud if wool’s disappearance wasn’t related to “disposable high street fashion and out throw away society”. It’s a theory I guess. I couldn’t get past her first comment about wool just not being around. Really? I thought. But then I’m probably not a good judge of these things.

Another theory about the decline of wool was: “We all have central heating now. We don’t need big woolly sweaters.” That makes sense to me. Paycockes’ visitors also observed, wool might be quite itchy, and moths like to eat it and then there’s the washing or dry cleaning. I hadn’t really considered all these reasons not to wear wool. But then I wouldn’t.

Other people asked me about my circular knitting needles and made comments about the big ball of wool one of the guild members had with her. “My what I big ball of wool!” The other comment that really struck me was this: “You can wear handknits again.” While wool is deemed to be less popular now, knitting is experiencing a resurgence in the UK. I can testify to that. Ten years ago there were two or three places to buy yarn in London, for example, and the range of yarn was limited. Now there are more shops and there is more choice. It’s a big difference.

Still, it didn’t occur to me that there was a problem with handknitted garments. But of course there is or was. There is still this lingering idea that store-bought is better. I also took the statement: “You can wear handknits again.” to mean there’s no longer shame in wearing handknits. It’s OK now. It’s even fashionable. In some quarters, knitting is still considered an activity one does out of thriftiness not for pleasure. Any knitter knows that these days most yarn is not cheap. Larger handknit projects can cost you a fortune in materials. Sal reckons most of the garments in Vogue Knitting require about $200-$300 in yarn. Not cheap!

Today I drove up to Colchester. When you come off the main road and head into town there is a meadow on the left side of the road. Usually there is a herd of cows in there munching away. Today it was full of sheep. Wool on the hoof for all to see.

Paycockes garden

display of blue-faced Leicester wool

Un-Ironic Holiday Sweater, Part 2

 Sally Williams

 Blog

I’ve made a decision as to which holiday sweater I’m going to attempt to actually get done in time for the holidays:

“Buck” from Classic Elite Yarns

Loopy-trimmed cardi

Thats right, I seem to think I can pull both of these off by December. Hahahahahahaha! But if I start now, it’s certainly more likely. I’ll be addressing the Loopy Trimmed Cardigan first.

This pattern is from Vogue Knitting, which I have a subscription to, so I already have the pattern. One annoying thing about Vogue patterns is that they have a lot of errata, so I always check Ravlery before I start and see what the issues are. This one looks pretty straightforward, and the photos posted of finished projects all look great. One thing that was mentioned a couple of times is that the button closures don’t really hold the front closed all that well. One person mitigated this by seaming the front shut and turning it into a pullover. After looking at the photo in my magazine copy, I can see that there’s a straight pin holding the front shut in between buttons on the model. Really! I’m more surprised by the lack of photoshopping than anything. My solution is going make five buttonholes instead of three.

I looked around in my stash to see what I wanted to use for the body and the trim, and I found some navy dk weight Rowan merino/cotton that I *think* I have enough of for the body. It’s a little bit matte because of the cotton, but the stitch definition will be really great for showing off the cables and bobbles. I didn’t have a good coordinating colored yarn for the loopy trim, but, I have a lot of fiber, so I can certainly make some up.

Fiber for blending

My navy yarn changes color depending on what else you put next to it. Navy next to navy, purple next to purple. So I got my drum carder out and started blending.

Blended batts

I’ve some navy Shetland and mohair (from my goat, Blue) that I dyed, some violet Shetland/Cheviot that I bought from a lady in my Guild, some Prussian blue Shetland that I also dyed, and a couple of small batts I made up from some teal/brown/navy Polworth/silk blend that I bought at OFFF last fall. I ended up with the navy/purple color way of the commercial yarn, and analogous royal and teal blend color ways to add some variety. Holiday oomph, if you will.

So then my only question is how do I want to spin this up?

Handspun swatches

I did three swatches. The first one started out as a single, but I didn’t like how much color separation there was next to the commercial yarn, so I plied it on itself to see if that helped. That’s the center one in the photo. So I blended my batts together some more, and did a single to match the dk weight yarn, and a two ply, to see which I liked better knitted up in the loopy pattern.

Loopy knit swatch

The single really does it for me. It’s almost like an exaggerated boucle, especially with the mohair halo that it has. The rest of the fiber is spun up and set, about four oz.

Yarn for loops

All that’s left to do is cast on!

Up next: decisions about the Buck cardigan.

From fleece to fair isle, part 1

 Rachel Wolcott

 Blog

Fair isle is trendy

For at least 18 months I’ve been telling Sally how trendy fair isle is. “It’s so trendy,” I say. “Look at how many fair isle designs are in the magazines!”

In theory, I love fair isle. The the colors and miniature designs are enchanting. I’ve bookmarked loads of fair isle patterns on Ravelry and I’ve amassed a pile of magazines full of patterns. Alice Starmore’s Book of Fair Isle Knitting is on my shelf and I’ve mentally knit every Kate Davies pattern. Mentally. I admit I’ve bought a few fair isle sweaters to soothe the fair isle itch.

I’ve knit a couple of fair isle items, but spinning yarn to knit up in fair isle intimidates me. Getting the gauge and color right just seems hard, especially if I were doing a whole sweater. So I’ve put it off.

Until the other day when I was beset by a fit of madness. The sun was shining and I set up the drumcarder on a table in the garden and started cranking out some batts. The idea being to spin up some yarn to make two fair isle hats.

Now the question is how do I turn this hodgepodge of fiber:

Hodgepodge

Into the Toadstool Hat.

toadstool hat

After a bit of carding–using both the drum carder and hand cards–I came up with some shades that at least resemble the ones used in the patterns. I’ve used a real hodgepodge of fiber–shetland (some from Sal’s sheep Blackberry!), finn, a little alpaca here and there as well as some merino from the depths of my fiber stash.

Batts

Like I said, getting the shades to approximate those in the patterns will be a challenge. I’m not going to be upset if they’re not the perfect hue. Some of these will require further blending with hand cards before spinning. Hand cards are not just a color blending tool, but fabulous fiber fluffers. On a project like this spinning from fluffy rolags will be perfect.

What I am concerned about is thickness of the singles and the finished plied yarn. My yarn always tends to be a bit on the thick side. However I do have some Jamieson 2-ply to show me exactly what I’m trying to achieve. I’ve also dug out my yarn gauge.

Another resource is the Spin your own Fair Isle kit article from Knitty, which got me started on this in the first place. Lots of good advice and step-by-step instructions.

Now for the spinning.

Guild Dye Day

 Sally Williams

 Blog, Uncategorized

The Aurora Colony Handspinner’s Guild had it’s annual Dye Day recently at the Historical Museum in Aurora, Oregon, and I spent the day spinning, observing, and taking a couple of interesting seminars about hand painting yarn and roving, and different ways to spin up said roving. There were lots and lots of kettles going over portable stoves. There was some beautiful kettle dyed fleece:

Kettle dyed fleece

Kettle dyed fleece, hand painted roving heating in the sun

There was some beautiful kettle dyed hand spun and roving:

Kettle dyed handspun

Kettle dyed roving and handspun

Even some dyed sparkly stuff:

Kettle dyed “Flash” aka Firestar

I found this to be a nifty idea: hanging smaller bits of fleece or roving to dry in up-cycled onion bags.

Drying fiber in onion bags

There was a demonstration of hand painted roving, using squeeze bottles to apply the dyes to fiber soaked in citric acid or vinegar, and wrapped in plastic to either sit in the sun or go into a steamer. The squeeze bottle recommendation is to source from beauty supply stores for better and more accurate dispensing. The tip on color placement is to keep the same order of color change all the way around the yarn or roving.

Handpainted scarves and roving heated in plastic wrap

There was a neat little seminar about spinning from hand painted roving. Chain, or Navajo plying was suggested as a way to maintain color order, which works especially well when doing an ombré effect. Fractal spinning was also suggested as a way to introduce color shifts when plying. This Knittyspin article is great for explaining fractal spinning: Fractal Spinning.

Finally, there were some samples of hand painted roving divided in half, and one half carded together to make a “neutral”, the other half spun as you normally would, and then these two color ways plyed together. The results of this last technique were pretty interesting, in that it didn’t seem to matter what the original colors were, the blended portion would always coordinate with the unblended portion, and even out and tone done what might otherwise be garish colors. This color way was muted to begin with, but the resulting yarn is quite sophisticated:

“Neutral” spinning and plying

It’s always great to get a bunch of people together who share your excitement about fiber. As soon as time permits, I’m going to try my hand at some hand painted roving and experiment with these spinning and plying techniques.

Spinning with the British Isles’ Rare & Heritage Sheep Breeds

 Rachel Wolcott

 Blog

aforementioned archipelago

Nestled in an often rainy corner of the North Atlantic, the British Isles are home to an outsized number of sheep. England, Wales, Scotland and Northern Ireland are home to 60-odd distinct sheep breeds. Not all of these are native, but many are. It’s incredible to have such diversity here on this fairly tiny archipelago.

For a novice handspinner like me, trying out fleece from rare and heritage breeds has been a big part of learning about spinning. Luckily some heritage breed fleece is quite easy to find– at least in the UK (see list below). You can buy a raw fleece direct from a farmer and dig in, but many breeds’ fleeces are available as roving–if you know where to look.

What’s so great about trying out heritage and rare breeds? There is a lot to be said for putting down your acid-dyed Merino or Corriedale roving and picking up some Blue-Faced Leicester, then moving on to Shetland, Gotland, Cotswold, Ryeland, Manx Loaghtan or North Ronaldsay–whatever captures your imagination.

In sourcing rare- and/or heritage-breed fleece you may choose to buy direct from the farmer. That’s a great way to buy because you will be supporting a whole chain of traditional skills and industry. You’re supporting the farmer who has chosen to raise rare or endangered breeds and follow high animal welfare standards. You’re also supporting shearers and perhaps even woollen mills that cater to small scale producers. It’s a virtuous circle.

Even if you don’t buy direct from the farm by seeking out rare or heritage-breed fleece you’re still supporting a network of farmers, traditional skills and artisans. The truth is there aren’t a lot of rare breed sheep around and most aren’t farmed on a large scale.

Once you whet your appetite for heritage and rare breed fiber there are a lot of options. You can dive in and spin a single-breed yarn. You can blend silky mohair-like Cotswold with Shetland or Gotland. Or you can try blending alpaca with a bit of Norfolk Horn. Next thing you know you’re working with different textures, colors, short staples and long and creating a unique yarn with a completely different feel and luster.

Adorable?

It’s worth mentioning how incredibly handsome and adorable some of these rare breeds are. Their distinctive looks also make me excited about using their fleece in a project. Take the Lincoln Longwool.

Or the many-horned Manx Loaghtan. There is something about these breeds that say–hey come spin my fleece. I know I may look a bit funny, but I’m soft and fluffy too. (Well, most of the time.) And hey, some of these sheep are actually endangered. Take a minute to browse the UK Rare Breed Survival Trust’s list of endangered or threatened sheep breeds. See if any of these breeds capture your imagination or inspire your next project.

Visiting festivals like Woolfest, WonderWoolWales, Oregon Flock and Fiber Festival, FiberEast, Rheinbeck Sheep & Wool festival– and many more–gives you the chance to meet different sheep breeds and speak to the dedicated people who raise them. Most of these events have fleece sales. When you buy a raw fleece (ie straight off the sheep) ask to look at it first. Check to see it’s relatively clean (not too much poo or vegetable matter) and not felted. Yes fleece can felt on the sheep! Take the time to ask people about their fleeces if possible. Most of the time they are happy to help you pick a good one.

In a future post I will show some yarn and other projects I’ve made with heritage breed and rare breed sheep fleece. Right now I have Shetland, Gotland, Cotswold, Ryeland, Norfolk Horn and Llanwenog fleece in my stash that I plan to use straight and in blends. I hope that some of my heritage and rare breed-based projects will convince you to try something a little different. Also, I’d like to show some different ways of using colored fleece imaginatively. To be honest, natural coloured fleece can be a turn off for some spinners.

Manx Loagtan: multi-pronged

Suppliers–not comprehensive, or in alphabetical order

Wingham Wool Works: Based in Wentworth, Yorkshire (near Rotherham) Wingham’s is well worth a visit if you are up in that area. The people are extremely helpful, knowledgeable and friendly. Wingham’s stock a wide variety of heritage and rare breed fleece as well as other non-wool exotics and a lot of fun equipment.

Adelaide Walker: Also in Yorkshire. I have not visited personally, but I have bought Gotland roving. Lovely.

Little Grey Sheep: Gorgeous Cotswold fleece and other goodies.

World of Wool: Yorkshire-based. Lots of choice.

Natural Yarn: British yarn and fleeces. Shetland, Manx Loaghtan, Norfolk Horn & more. Run by Jean Cairns, who I know from the Mid-Essex Guild of Weavers, Spinners & Dyers.

North Ronaldsay Yarn: Yarn from the famous Orkney Isles’ seaweed-eating sheep–the North Ronaldsay, of North Ronaldsay, Orkney. They also sell fleece, roving, batts and pre-felt. *I just bought some beautiful roving from this seller. It’s beautiful. I’ll post a photo once some gets spun.

Whistlebare Yarns: I just came across this small producer of mohair yarns in Northumberland. Alice Elsworth creates yarn from her own flock of Angora goats.

Also check Ebay’s UK site for some exciting raw fleeces from UK rare/heritage breed sheep. Including Zwartables, North Ronaldsay, Hebridean, Romney, Castlemilk Moorit, Portland, Whitefaced Dartmoor and many more. (FYI I just bought a Zwartables fleece!!)

The Un-ironic Holiday Sweater

 Sally Williams

 Blog

I’ve been getting Knitting Daily in my inbox telling me that NOW is the time to start holiday knitting, along with patterns for hats, scarves, and other smallish items. I can probably knock out a decent hat or scarf in a few days, but if I want a festive holiday sweater, now is the time to start.

The Ugly Holiday Sweater Party is apparently a thing now, but if I’m going to bother to knit a whole sweater, I want to un-ironically like it, and feel good about running around in it for more than one garish night. Plus, the whole reason for the holidays is to celebrate the better parts of ourselves, and I tend to think that being cynical isn’t on the list. So here are a few starting ideas for what might make a pretty decent, festive, and snugly sweater:

“Buck” from Classic Elite Yarns

I saw this on a female model on the back cover of a Vogue Knitting magazine. It looked oversized and casual on her. I love the natural colored yarn, the shawl collar, and of course the chunky deer motifs. The colorblocking is interesting too, it makes the sweater look shorter than it is.

Fur trimmed hood! And certainly faux fur, sparkly eyelash, or mohair would also work. The fair isle motifs could be modified to be more obviously holiday themed, and several people on Ravelry have posted pictures of this with long sleeves. Plus, it zips! I love zippers.

Fur trimmed hoodie from Vogue Knitting Holiday ’09

These remind me of a vintage ski sweaters. The short sleeves make the upper one, I think, quite chic. The color palette could be changed around easily enough. The ski sweater with pompoms has some neat lacework, and I can see some possibilities with those pompoms.

Ski sweater with pompoms

Tied-with-a-bow sweater

I can see this not being everyone’s cup of tea with a bow at the bust line, but it is festive, and I love the funnel neck instead of a turtleneck, which always make me feel like a little stifled. The cranberry color is great, and would work for other festive occasions, like anniversaries or Valentine’s Day.

Crocheted snowflake top

I love this top. It’s texturally interesting, and a great layering piece. I’m a beginning crocheter, so this would be challenging for me, but I think it’s stunning.

Cables, bobbles, and loops, but still elegant. I love this cardigan, and it looks fun to knit. If I were to do it for a holiday sweater, I would pick a different color, with some sparkle in the trimmings.

Loopy-trimmed cardi

I’m imagining this in green with red trim. I think with the sophisticated pattern it would avoid being kitschy even in traditional “Christmas colors”.

Op-art cardi

I’m going to mull these examples over for a bit and see where I end up. Stay tuned…

Welcome to Sheep Cabana

 Rachel Wolcott

 Blog

Ever wonder how to use all that gorgeous handspun yarn you have created? Looking for inspiration for your next project? The Sheep Cabana team can help.

Sally and Rachel may live on opposite sides of the planet, but that hasn’t stopped us from puzzling through fiber projects together. Now we are sharing the lessons learned over years of fiber obsession.

Sally and Rachel first met back in 1989 at college, living in adjacent dorms. Rachel went out of her way to heckle the resident troublemakers, and Sally went out of her way to cause trouble. But by their senior year, they conceived and co-edited a controversial feminist newspaper. After graduation *sniff* they lost contact. Sally went off to work on cars and after farting around Rachel eventually became a journalist.

Eighteen years later, they reconnected and realised they were both bonkers about knitting. Sally had just bought her first few sheep, a goat and a spinning wheel. When Rachel saw the wheel and met the sheep… let’s just say if she had enough room for sheep, she would have them too. She has settled for a spinning wheel. For now.

Sourcing high-welfare fiber is just one reason Sally started her own fiber flock. The other is, well, sheep are pretty adorable and are good lawnmowers. The goat has a lot of attitude and is best friends with the llama. Rachel has a special fondness for rare and heritage breed fiber animals of the British Isles. Living out in the sticks means she knows where to go (apart from calling Sal) when she needs something special and high welfare to spin.

Sally and Rachel believe in making beautiful projects starting with a bag of fleece. Just because the fiber might be a bit smelly and have a few burrs in it when it comes off the animal, doesn’t mean you can’t create luxurious hand-made objects. It just takes a little work and imagination. Let us show you how. Follow our adventures of trial and error as we try new techniques and seek inspiration for projects. We love confabbing about fiber almost as much as we love fiber!

con·fab

informal

noun

ˈkänˌfab,kənˈfab/

1.

an informal private conversation or discussion.

“they wandered off to the woods for a private confab”

verb

kənˈfab,ˈkänˌfab/

1.

engage in informal private conversation.

“Peter was confabbing with a curly-haired guy”